Throughout 2018, we discussed the implications of the Music Modernization Act (MMA). Now that the historic bill has passed with the support of musicians, labels, and politicians, what’s next? On this episode, hear from Kay Hanley and Michelle Lewis of SONA (Songwriters of North America), SoundExchange president Mike Huppe, and Prof. Larry Miller (NYU, Musonomics).
The music industry is constantly changing, so today we shine a light on a few important topics developing in the business. First we discuss the recent YouTube “adpocalypse” and how it affects artists’ revenues with Gray Gannaway of Quarterlab Consultancy. Then we hear from Mike Huppe, President of SoundExchange about their recent acquisition of CMRRA (Canadian Musical Reproduction Rights Agency). Finally, The Recording Academy’s Daryl Friedman gives us an update on what’s happening with issues and legislation that affects musicians, like the Fair Play, Fair Pay Act.
You’ve written and recorded a song, now you want people to listen to it. What’s next? We start off the year with our first Music 101 episode, where we talk about the songwriting, publishing and master rights related to self-releasing music. ASCAP’s Marc Emert-Hutner helps us decipher some of the acronyms every musician should know in order to understand their rights. Then, Kevin Breuner of CD Baby returns to the show to talk about how to distribute music yourself. SoundExchange’s Michael Darpino wraps up by telling us how musicians can collect royalties.
In this episode, we dig deep into the “Fair Music: Transparency and Money Flows in the Music Industry” report recently presented by the Berklee Institute for Creative Entrepreneurship (BerkleeICE). Joining us for the discussion are Panos Panay (founder of BerkleeICE and SonicBids), David Lowery (songwriter for Camper Van Beethoven and Cracker, writer at The Trichordist), Mike Huppe (CEO of SoundExchange), and Jeremy DeVine (founder of Temporary Residence Ltd.).
How are artists making money in the new economy? Some artists are fighting the corporations and winning: The Turtles and the pre-1972 copyright debate. What is SoundExchange and why does everyone love them? (Hint: They are not the Nigerian prince!) Why is there no performance royalty for commercial radio play and what are we going to do about it? Plus: featured record label Dualtone Records, home of The Lumineers and others!