On this week’s episode, we’re revisiting another MusicBiz LIVE! event that features candid conversation about what music business trade associations are doing to help their specific constituencies navigate the COVID-19 quagmire. Joining Portia in conversation about the CARES Act and more are : Mitch Glazier and Michele Ballantyne of the RIAA, Richard Burgess of A2IM, Bart Herbison of the NSIA, David Israelite of the NMPA and Sarah Trahern of the CMA. Listen in to find out what relief is coming your way, and learn how to access it in your particular district or state with the help of this week’s guests.
In the few weeks since our last episode, COVID19 has changed the world and how we interact with one another, and that has had many impacts upon the music business as a whole. With venues and record stores closed to the public for the foreseeable future, musicians are having to find new ways to interact with their fans, and because of the quarantine, most of those interactions are happening virtually. To help with this transition to a digital-only reality, the teams at Facebook and Instagram are rolling out new products and initiatives to help musicians and their fans establish new types of relationships that will work in the new paradigm faced by us all. In this episode, we revisit a public conversation between Portia Sabin, Perry Bashkoff (Instagram) and Mayola Charles (Facebook) that was part of a MusicBiz Live! webinar that occured on April 6, 2020.
While many people start their career in the music business by forming a band or record label, and learning the industry’s norms and quirks largely through trial and error, others choose to enroll in various university programs to learn about the industry. This week we’re exploring what those university programs look like for both undergraduate and graduate students, and what the key takeaways from those programs are. Join us as we speak with Serona Elton (University of Miami), Joe Rapolla (Monmouth University), and Larry Miller (NYU Steinhardt) about the different kinds of programs that they help facilitate for students at their respective academic institutions.
Music production has become increasingly fragmented thanks to the advent of affordable studio technology and high speed internet connections, which comes with both benefits and drawbacks. The main benefit is that band members and songwriting teams can now collaborate from anywhere in the world at any time of day, and they can arrange for special guest features with little more than a simple email exchange. The drawback to this evolution is that proper attribution for these collaborations are often messy, overlooked, or forgotten altogether, as the musicians involved are wearing too many hats in the studio. Thankfully, new online systems like Jaxsta and VEVA Sound have entered the market to help consolidate credits and session files into one simple place, so that everyone involved gets their due credit. Join us this week as we speak with Jaxsta CEO Jacqui Louez Schoorl, VEVA Sound president Deborah Fairchild, and Grammy award winning engineer/producer Reid Shippen about how these systems are being used in today’s top studios.
Matt Black and Jonathan Fine first joined forces in the late 1980’s, after a chance encounter at a local record shop. Now, some thirty-odd years later, the two are still working together in multiple capacities, and show no signs of stopping. They’ve released multiple albums as the electronic duo Coldcut, and helped produce several others, in addition to founding the highly regarded UK electronic label Ninja Tune, which is now in its thirtieth year of existence. In the recent past, they’ve also turned their attention to making musical software, like the Ninja Jamm app, that allows both novice and pros alike to remix and create music on the go with their smart device. Join us this week as we speak with both Matt and Jon about their history as a band and their philosophy as label owners and app developers.
Touring has quickly become one of the most effective ways for bands and artists to earn money in the streaming era, despite the fact that getting around is more expensive than it’s ever been. Thankfully, some new technologies have made planning and booking a tour easier than ever, so that bands and artists can push into new markets, without the same level of financial risk that was associated with doing so in the past. Join us this week as we speak with Fabrice Sergent (BandsInTown), Steve Marks (RoadNation), Matt Walters (Parlour Gigs) and Mary Ivanova (Show4Me) about how their services are supporting bands and artists to get on the road and be seen!