Like every other role in the music industry, the face of management is changing to meet the current needs of artists. With fewer and fewer labels investing in artist development, the work of building a team up around an artist has started to land more and more on the shoulders of managers. In our exploration of this topic, we speak with Brian Dubb of Centralized.me, who has developed a web based “virtual management” application that helps developing artists manage themselves, as well as Adina Friedman who works for the management company, “Friends At Work.”
In previous episodes, we’ve discussed the diminished role that music criticism plays in today’s market, and now we’re turning our focus towards music journalism at large. With more and more magazines and newspapers going out of business, writers find themselves with even fewer publishing options, and they’re being forced to look for work outside of the music industry.
As smart speakers, like the Amazon Dot and Google Home, take up residence in more homes across the U.S., kids’ music has seen an unexpected uptick in its overall consumption, mostly due to the agency imparted to children via voice activated technologies. On this episode, we explore this trend with the president of Kidz Bop, Vic Zaraya, along with Grammy nominated singer/songwriter, Lori Henriquez, and senior Wired staff writer, Adrienne So.
From AI to to the EP, we discuss trends and innovation in the music industry. First, journalist Cherie Hu shares a few music tech developments to look out for in 2019. Then, Jon Chattman explains his recent article "How the EP Killed the LP Star." Finally, Eric "Skippy" Mueller of Pirate’s Press updates us on what’s happening in vinyl.
Last year, outlets like the Washington Post lamented the decline of the electric guitar and the supposed absence of American guitar heroes. In September of 2017, She Shreds Magazine published an article called “We Are The 50%: The Truth Behind the Supposed Decline of the Guitar,” pushing back against this narrative. On this episode, we talk with the author of the piece, Natalie Baker, She Shreds Magazine editor-in-chief Fabi Reyna, Alicia Bognanno (Bully), and Trade Up Music manager Alexa Marmon about what’s really going on in the guitar industry.
2017 marks the 40th anniversary of iconic band The B-52s. It’s also the year founding member Cindy Wilson embarked on her solo career, releasing her debut, ‘Change,’ on December 1st through Kill Rock Stars. On this episode, Portia talks with Cindy about her new album, adapting to today’s music industry, and her advice for new musicians.