While little attention was given by the U.S. population at large, the creative class, and musicians in particular, paid close attention to the wars waged over the EU’s new copyright directive, known colloquially as Article 13. Although is has yet to be ratified, and passed into law by its member states, Article 13 has the potential to close the “safe harbor” loophole for UGC giants like YouTube, Soundcloud, etc., which would make them wholly responsible, and liable, for all previously copyrighted material published on their platforms.
As smart speakers, like the Amazon Dot and Google Home, take up residence in more homes across the U.S., kids’ music has seen an unexpected uptick in its overall consumption, mostly due to the agency imparted to children via voice activated technologies. On this episode, we explore this trend with the president of Kidz Bop, Vic Zaraya, along with Grammy nominated singer/songwriter, Lori Henriquez, and senior Wired staff writer, Adrienne So.
From AI to to the EP, we discuss trends and innovation in the music industry. First, journalist Cherie Hu shares a few music tech developments to look out for in 2019. Then, Jon Chattman explains his recent article "How the EP Killed the LP Star." Finally, Eric "Skippy" Mueller of Pirate’s Press updates us on what’s happening in vinyl.
The internet is a vital tool for artists, but without the protections that ensure a level playing field, creators’ ability to earn a living comes under threat. On today’s episode, we dive into the murky waters of net neutrality, copyright, and tech giants. We hear from Thirsty Ear Recordings Peter Gordon about why musicians should care about net neutrality. This point is echoed by Evan Greer of Fight for the Future, who goes on to explain the organization’s controversial stance on copyright. Finally, Deerhoof’s Greg Saunier shares his opinion on tech giants like Google and why musicians are so mad at YouTube.
A lot of money is spent in the music industry developing new tools and platforms, but today we spotlight a nonprofit committed to providing artists with educational and professional resources — all for free. In 2008, CASH Music started out of a desire to create a sustainable music industry. Since then, the platform has offered everything from download code generation and redemption to social feeds. We hear more from executive director Maggie Vail and Throwing Muses’ Kristin Hersh.
How many “likes” did you get today, and does it even matter? On this episode, Portia leads an Upstream Summit keynote panel talking with Run The Jewels manager Amaechi Uzoigwe and RCA Records’ Tunji Balogun, two industry insiders who have effectively mined the vast quantities of data and analytics available. Artists, managers and labels have all begun using data to amplify albums, sell out shows, and launch careers; and at May’s Summit in Seattle, Portia and her panel of experts gave perspective on the types of data available and how best to harness it to reach your audience.